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Allen & Heath iLive

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Allen & Heath iLive digital mixers are developed for live sound applications.

allen and heath ilive price

 

iLive puts the audio processing right where it is needed - on or near the stage. The DSP is in the Mix- Rack, keeping latency to a minimum and giving you the freedom to choose how you control the mix.
 

iLive provides comprehensive on-board signal and FX processing, so there is no need for expensive and heavy outboard quipment racks. This not only saves space, but reduces preparation time, and cuts back overheads too! Bulky and expensive multicores are a thing of the past, as cabling between the console and Mix-Rack is CAT5.

 

Full processing is available all the time. Each of the 64 input channels has a gate, parametric EQ, compressor, limiter/de-esser and delay, while all 32 mix outputs have a 1/3 octave graphic EQ, parametric EQ, compressor, limiter and delay.

 

Complete set-ups can be stored in the console and saved to a USB key, so adapting to different venues, applications, and artists has never been easier. All parameters can be saved, updated, and recalled, so engineers can carry their settings and libraries with them - saving precious time at the gig.

 

Processing

The iDR-64 DSP mix engine provides all the processing power for 64 input channels and 32 mix outputs. Not only does iLive present all the gain, EQ, assignment and level control you would normally find on a well equipped analogue console, but it brings on board the many outboard racks you would need if you were to insert full dynamics processing and delay across all 64 channels, patch in dynamics, third octave graphic EQ and delay on each of the 32 mixes, and hook up a rack of effects processors. The space and cost saving together with convenient stock and transport handling benefit is huge. And there are no compromises, no 'small print' - all the processing is available all the time - you can never run out of DSP!

The Allen and Heath iLive features an innovative ‘Processing-Strip’ interface that retains the familiarity of the traditional analogue console with its one-knob-per-function rotary controls and switches, and a display that gives the operator a quick overview of all settings at a glance. To access the processing for a channel or mix simply press its control strip 'SEL' key. For more detailed and graphical information, the parameter information can be displayed on the Touch-Screen too.

Channel processing is also controllable offline and online using ‘iLive System Manager’ software which can be run on your PC or laptop. Control of iLive is transmitted via TCP/IP over Ethernet - both the surface and the iDR10 Mix-Rack are equipped with Ethernet hubs making it easy to set up a control network - so for example, a technician could access channel mix processing such as graphic EQ and delay to set up the PA system from a laptop, while the FOH engineer concentrates on other tasks.

 

Complete Systems (64/32):

iLive-112

iLive-144

iLive-176

 

Surfaces:

iLive-80/S: 20 faders, CPU, no RAB, no I/O, no case

iLive-112/S: 28 faders, CPU, no RAB, no I/O, including flight case

iLive-144/S: 36 faders, CPU, no RAB, no I/O, including flight case

iLive-176/S: 44 faders, CPU, no RAB, no I/O, including flight case

 

For more info, visit the Allen & Heath website: iLive - Digital Mixing Console System

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