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AKG C 414 XL II large diaphragm studio microphones with nine selectable pickup patterns.
The AKG C414 XL II is the successor of the famous C 414 B-TL II. It shows the unique sonic signature of the highly sought after AKG C 12 which enables lead vocals and solo instruments to be placed even in a dense mix. The unrivalled up-front sound is also well-known for distant miking applications like classic music recording or drum ambience miking.
The XL II version differs from the XLS version in one major respect - the capsule. Both, the slight presence boost and the impressive spatial reproduction is similar to the legendary C 12 microphones.
For over 60 years, leading musicians and engineers have used legendary AKG microphones to capture their sound so their audience hears every nuance. The C 414 family has been one of the world’s most widely-used and respected studio and stage microphones in audio history. AKG has continually set new benchmarks for useful features, improved technical specifications and ease of use to answer requests from ever-demanding recording studios, broadcast stations and audio engineers.
The new models C 414 XLS and C 414 XLII offer nine pickup patterns which enable to choose the perfect setting for every application. For live-sound applications and permanent installations all controls can be disabled easily for trouble-free use. A Peak Hold LED displays even shortest overload peaks.
The C 414 comes complete with carrying case, pop filter, windscreen, and spider-type shock mount.
Features
Sonic character of the famous AKG C12
delivers astounding sound quality for lead vocals and solo instruments
Nine selectable polar patterns
for the perfect setting for every application
Three attenuation levels (-6/-12/-18dB)
for close-up recording or high-output sources of up to 158dB SPL
Three switchable different bass-cut filters
to reduce wind noise, stage vibration or proximity effect
Overload warning with audio peak hold LED
to detect shortest audio peaks
For more information, visit the AKG website: C 414 XL II
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